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However, the highly criticized older translations continue to be republished, due to their public domain status and in many cases their easy availability in online sources.

The relationship between Verne's Voyages extraordinaires and the literary genre science fiction is a complex one.

Verne, like H. Wells , is frequently cited as one of the founders of the genre, and his profound influence on its development is indisputable; however, many earlier writers, such as Lucian of Samosata , Voltaire , and Mary Shelley , have also been cited as creators of science fiction, an unavoidable ambiguity arising from the vague definition and history of the genre.

A primary issue at the heart of the dispute is the question of whether Verne's works count as science fiction to begin with.

Maurice Renard claimed that Verne "never wrote a single sentence of scientific-marvelous". I wrote Five Weeks in a Balloon , not as a story about ballooning, but as a story about Africa.

I always was greatly interested in geography and travel, and I wanted to give a romantic description of Africa. Now, there was no means of taking my travellers through Africa otherwise than in a balloon, and that is why a balloon is introduced.

Closely related to Verne's science-fiction reputation is the often-repeated claim that he is a " prophet " of scientific progress, and that many of his novels involve elements of technology that were fantastic for his day but later became commonplace.

Thomas speculated that Verne's storytelling skill and readers misremembering a book they read as children caused people to "remember things from it that are not there.

The impression that the novel contains valid scientific prediction seems to grow as the years roll by".

Ray Bradbury summed up Verne's influence on literature and science the world over by saying: "We are all, in one way or another, the children of Jules Verne.

From Wikipedia, the free encyclopedia. French novelist, poet and playwright. For other uses, see Jules Verne disambiguation. See also: Jules Verne bibliography.

Main article: Cultural influence of Jules Verne. He built his castle, complete with dovecote or fuye a privilege in the royal gift , near Loudun in Anjou and took the noble name of Allotte de la Fuye.

Random House Webster's Unabridged Dictionary. Vice, Redemption and the Distant Colony. BearManor Media. Twayne's World Authors Series Jules Verne.

New York: Twayne Publishers. France Today. France Media Ltd. Retrieved 5 May Encyclopedia Britannica.

Retrieved 4 February December Galaxy Science Fiction. Jules Verne at Wikipedia's sister projects.

Works by Jules Verne. Doctor Ox Yesterday and Tomorrow Book Category. Associated subjects. Jules Verne 's Journey to the Center of the Earth.

David Farragut Captain Nemo. Aouda Phileas Fogg Jean Passepartout. Around the World in 80 Days 80 Days 80 Days Jules Verne 's The Mysterious Island.

Jules Verne 's Michael Strogoff. Michel Strogoff Jules Verne 's In Search of the Castaways. In Search for Captain Grant miniseries.

The Mysterious Island. Science fiction portal Novels portal Biography portal. Namespaces Article Talk.

In a preface to the story of which this is really a part he tells how firmly New Switzerland established itself in the fabric of his thoughts, till it became for him a real island inhabited by real people.

The youth of Europe -- many generations of it -- owes a big debt to the old romancer who worked for so many years in his turret room at Amiens to entertain it.

From that room, with its many bookshelves, came volume after volume of adventure, mostly with a big ad-mixture of the scientific.

Verne was not one of those who pile hairbreadth escapes one upon another till they become incredible.

There are plenty of things happening in his books, but they are the sort of things that would happen, given the circumstances, and he explains why and how they chanced in the most convincing manner possible.

In these days of submarines and aeroplanes it is interesting to read again the wonderful Frenchman's forecast of them in such books as "Twenty Thousand Leagues Under the Sea" and "The Clipper of the Clouds.

Phileas Fogg was a day late, as he believed. He had apparently lost his wager. But, having gone round the world in the right direction, he had gained a day, and just won.

If he had gone the other way he would have been two days late, for a day would have been lost to him cut right out of the calendar.

With the restoration of Fritz Zermatt and his wife Jenny, his brother Frank and the other Castaways of the Flag to their anxious and sorely tried relatives in New Switzerland, the story of "The Swiss Family Robinson" is brought to its proper end.

Thereafter, the interest of their domestic life is merged in that of the growth of a young colony. Romance is merged in history and the romancer's work is finished.

Jules Verne has here set the coping stone on the structure begun by Rudolph Wyss, and in "The Swiss Family Robinson," "Their Island Home" and "The Castaways of the Flag" we have, not a story and two sequels, but a complete trilogy which judges who survey it must pronounce very good.

A word may be permitted about this English version. Jules Verne is a master of pure narrative. His style is singularly limpid and his language is so simple that people with a very limited knowledge of French can read his stories in the original and miss very little of their substance.

But to be able to read a book in one language and to translate it into another are very different things. The very simplicity of Jules Verne's French presents difficulties to one who would translate it into English.

What the French call "idiotismes" abound in all Verne's writing, and there are few French authors to whose books it is so difficult to impart a really English air in English dress.

Whatever the imperfections of these translations may be they cannot, however, mar very greatly the pleasure the stories themselves give to every reader.

Originally published in French in , Michael Strogoff, or, the Courier of the Czar, is regarded as one of Jules Verne's greatest novels.

This intriguing tale set in Russia tells the story of one man, Michael Strogoff, the Czar's courier, who is set out on an impossible mission to save his country.

A traitor inspires the dangerous Feofar Khan to invade Siberia and form a rebellion, leading to a plot to kill the czar's brother, the Grand Duke.

As a result, Strogoff is sent out to warn the Duke, serving as the nation's last hope to cease the rebellion.

Along the way he meets new people, makes new friends and gets capture by the enemy, only to make a grand escape. Readers are sure to be at the edge of their seats as they follow the courier's adventures through Siberia.

Though this book is not one of the many science-fiction books that Verne is so highly regarded for, it utilizes the scientific phenomenon as a major plot device, allowing readers to nevertheless enjoy his profound literary voice and follow the protagonist on an unforgettable adventure.

Jules Verne , born February 8, , Nantes , France—died March 24, , Amiens , prolific French author whose writings laid much of the foundation of modern science fiction.

Jules Verne is famous for his novels, such as Journey to the Centre of the Earth ; , From the Earth to the Moon , and Twenty Thousand Leagues Under the Sea , that were pioneering works in the genre of science fiction.

Jules Verne did not invent the submarine , which had a long history before he wrote Twenty Thousand Leagues Under the Sea However, his fictional Nautilus inspired inventors and others who would explore the deep.

Jules Verne did not travel around the world like the characters in Around the World in Eighty Days However, he visited America on board the Great Eastern in , and he sailed around Europe on yachts he owned.

But the young Verne fell in love with literature , especially theatre. In Verne married and for several years worked as a broker at the Paris Stock Market.

The first, from to , might be termed his positivist period. During this period he also purchased several yachts and sailed to many European countries, collaborated on theatre adaptations of several of his novels, and gained both worldwide fame and a modest fortune.

Throughout these years the ideological tone of his Voyages extraordinaires began to change. When Verne died, he left a drawerful of nearly completed manuscripts in his desk.

This translation of his short story A Voyage in a Balloon first appeared in Sartain's Union Magazine of Literature and Art in a May edition, making it the first of the French writer's stories to be published in English.

As Verne writes in this story: "May this terrific recital, while it instructs those who read it, not discourage the explorers of the routes of air.

Jules Verne, the most translated novelist in the world and best known for books such as Twenty Thousand Leagues under the Seas and Around the World in Eighty Days, was also a prolific playwright.

Journey Through the Impossible, a play of fantasy and science fiction, ran for 97 performances in Paris in and In the three acts, the characters go first to the center of the Earth, then under the sea, and finally to the planet "Altor.

Verne wrote this play in the middle of his life, between his optimistic science helps humanity and is good and pessimistic science is dangerous and bad works; the play is a vehicle for Verne to ask himself and his readers whether science, technology, and the pursuit of knowledge are good or bad.

He used the play to pose questions about life and wisdom that are still important in our time. The script of the play was lost to Verne scholars for almost a century, until the text was discovered in in the Archives of the Censorship Office of the Third French Republic and was published in French in The play had many reviews in and two of them are included here to give the reader insight into how the play was staged in Paris in the second half of the 19th century.

Also included are many wonderful illustrations showing set designs for the original play, a page from a lost scene, the original frontispiece, and other interesting details.

This is the first complete edition and the first English translation of a surprising work by a popular French novelist whose works continue to delight readers and audiences to this day.

This story is a sequel to "Their Island Home," which takes up the adventures of the Swiss Family Robinson at the place where the author of the original narrative dropped them.

It gave him that liking for the lonely island life as the basis of a yarn which is conspicuous in much of his work.

In a preface to the story of which this is really a part he tells how firmly New Switzerland established itself in the fabric of his thoughts, till it became for him a real island inhabited by real people.

The youth of Europe -- many generations of it -- owes a big debt to the old romancer who worked for so many years in his turret room at Amiens to entertain it.

From that room, with its many bookshelves, came volume after volume of adventure, mostly with a big ad-mixture of the scientific. Verne was not one of those who pile hairbreadth escapes one upon another till they become incredible.

There are plenty of things happening in his books, but they are the sort of things that would happen, given the circumstances, and he explains why and how they chanced in the most convincing manner possible.

In these days of submarines and aeroplanes it is interesting to read again the wonderful Frenchman's forecast of them in such books as "Twenty Thousand Leagues Under the Sea" and "The Clipper of the Clouds.

Phileas Fogg was a day late, as he believed. He had apparently lost his wager. But, having gone round the world in the right direction, he had gained a day, and just won.

If he had gone the other way he would have been two days late, for a day would have been lost to him cut right out of the calendar. With the restoration of Fritz Zermatt and his wife Jenny, his brother Frank and the other Castaways of the Flag to their anxious and sorely tried relatives in New Switzerland, the story of "The Swiss Family Robinson" is brought to its proper end.

Thereafter, the interest of their domestic life is merged in that of the growth of a young colony. Romance is merged in history and the romancer's work is finished.

Jules Verne has here set the coping stone on the structure begun by Rudolph Wyss, and in "The Swiss Family Robinson," "Their Island Home" and "The Castaways of the Flag" we have, not a story and two sequels, but a complete trilogy which judges who survey it must pronounce very good.

A word may be permitted about this English version. Jules Verne is a master of pure narrative. His style is singularly limpid and his language is so simple that people with a very limited knowledge of French can read his stories in the original and miss very little of their substance.

But to be able to read a book in one language and to translate it into another are very different things. The very simplicity of Jules Verne's French presents difficulties to one who would translate it into English.

What the French call "idiotismes" abound in all Verne's writing, and there are few French authors to whose books it is so difficult to impart a really English air in English dress.

Whatever the imperfections of these translations may be they cannot, however, mar very greatly the pleasure the stories themselves give to every reader.

Originally published in French in , Michael Strogoff, or, the Courier of the Czar, is regarded as one of Jules Verne's greatest novels.

This intriguing tale set in Russia tells the story of one man, Michael Strogoff, the Czar's courier, who is set out on an impossible mission to save his country.

A traitor inspires the dangerous Feofar Khan to invade Siberia and form a rebellion, leading to a plot to kill the czar's brother, the Grand Duke.

As a result, Strogoff is sent out to warn the Duke, serving as the nation's last hope to cease the rebellion. Along the way he meets new people, makes new friends and gets capture by the enemy, only to make a grand escape.

Readers are sure to be at the edge of their seats as they follow the courier's adventures through Siberia.

Though this book is not one of the many science-fiction books that Verne is so highly regarded for, it utilizes the scientific phenomenon as a major plot device, allowing readers to nevertheless enjoy his profound literary voice and follow the protagonist on an unforgettable adventure.

Jules Verne was a French novelist known for his adventure novels and his influence over the science fiction genre. Like all good science fiction, this book really makes you think.

And here is another astonishing fact. When Jules Verne was a boy, he promised his mother he would never leave home — and he never did. He stayed in France and did all his exploring by reading books.

He travelled only in his mind. But such is the power of his imagination that, when the travellers get to Iceland and finally plunge underground, you believe in what they find as if Jules Verne had been there himself and seen it with his own eyes.

Jules Verne was an expert mind traveller. Journeying in his head, he wrote this and at least two other adventure stories that are world-famous to this day.

Martha must have thought she was very behindhand, for the dinner was only just beginning to sizzle on the kitchen stove.

I was left alone. But as for getting the most irascible of professors to see reason, that was a task beyond a man of my rather undecided character.

So I was getting ready to beat a prudent retreat to my little room upstairs, when the street door creaked on its hinges, heavy footsteps shook the wooden staircase, and the master of the house, passing through the dining-room, rushed straight into his study.

Otto Lidenbrock was not, I must admit, a bad man; but, unless he changes in the most unlikely way, he will end up as a terrible eccentric.

He was a professor at the Johannaeum and gave a course of lectures on mineralogy, during every one of which he lost his temper once or twice.

Not that he cared whether his pupils attended regularly, listened attentively, or were successful later: these little matters interested him only very slightly.

He was a selfish scholar, a well of science whose pulley creaked when you tried to draw anything out of it. In short, he was a miser.

There are quite a few professors like that in Germany. Unfortunately for him, my uncle had difficulty in speaking fluently, not so much at home as in public, and this is a regrettable defect in an orator.

Indeed, in his lectures at the Johannaeum the Professor would often stop short, struggling with a recalcitrant word which refused to slip between his lips, one of those words which resist, swell up, and finally come out in the rather unscientific form of a swear-word.

This was what always sent him into a rage. However that may be, my uncle, as I have said before and cannot repeat too often, was a true scholar.

Although he sometimes broke his specimens by handling them too roughly, he combined the genius of the geologist with the eye of the mineralogist.

With his hammer, his steel pointer, his magnetic needle, his blowpipe, and his bottle of nitric acid, he was a force to be reckoned with.

From the fracture, appearance, hardness, fusibility, sound, smell, and taste of any given mineral, he could unhesitatingly class it in its proper place among the six hundred species known to modern science.

The name of Lidenbrock was accordingly mentioned in tones of respect in all colleges and learned societies.

This science was indebted to him for some remarkable discoveries, and in a Treatise on Transcendental Crystallography by Professor Otto Lidenbrock had appeared at Leipzig, an imposing folio volume with plates, which, however, failed to cover its expenses.

Over and above all this, I should add that my uncle was the curator of the mineralogical museum founded by Mr Struve, the Russian ambassador, a valuable collection known all over Europe.

This, then, was the gentleman who was calling me so impatiently. Picture to yourself a tall, thin man, in excellent health, and with a fair, youthful complexion which took off a good ten of his fifty years.

His big eyes were constantly rolling behind huge spectacles; and his long thin nose looked like the blade of a knife. Mischievous students, indeed, asserted that it was magnetized and attracted iron filings.

This was sheer calumny: it attracted nothing but snuff, though that in great abundance. When I have added that my uncle took mathematical strides three feet long, and that as he walked along he kept his fists tightly clenched, a sure sign of an impetuous temperament, you will know him well enough not to hanker after his company.

He lived in his own little house in the Königstrasse, a building which was half brick and half wood, with an indented gable; it overlooked one of those winding canals which intersect in the middle of the oldest quarter of Hamburg, which the great fire of mercifully spared.

My uncle was fairly well off for a German professor. The house belonged to him, both the building and its contents — the latter including his goddaughter Gräuben, a seventeen-year-old native of the Virlande, our good Martha, and myself.

In my dual capacity of nephew and orphan I became his laboratory assistant. I must admit that I took to geology enthusiastically; I had the blood of a mineralogist in my veins and I never felt bored in the company of my precious pebbles.

But the man was incapable of waiting, and was always in a greater hurry than Nature. In April, after he had planted seedlings of mignonette or convolvulus in the earthenware pots in his drawing-room, he would go regularly every morning and pull them by the leaves to make them grow faster.

With such an eccentric character, obedience was the only course to adopt. I therefore rushed into his study.

Specimens of everything in the mineral world were to be found there, labelled with meticulous exactitude and arranged in the three great classes of inflammable, metallic, and lithoid minerals.

How well I knew them, those knicknacks of mineralogical science! How often, instead of frittering away my time with boys of my own age, I had enjoyed myself dusting those specimens of graphite, anthracite, coal, lignite, and peat!

And those examples of bitumen, of resin, of organic salts which had to be protected from the smallest speck of dust!

And those metals, from iron to gold, whose relative value was ignored in view of the absolute equality of scientific specimens!

And all those stones which would have been enough to rebuild the whole Königstrasse house, and even add a splendid room which would have suited me admirably!

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